Against Endings

On the street outside the window
someone is talking to someone else,

a baffling song, no words, only the music

of voices—low contralto of questions,
laughter’s plucked strings—voices in darkness

below stars where someone straddles a bike
up on the balls of his feet, and someone else

stands firm on a curb, her arms crossed, two

dogs nearby listening to the human duet,
stars falling through a summer night

a sudden car passing, rap song thumping,

but the voices, unhurried, return, obligatos afloat
on the humid air, tiny votives wavering

as porch lights go out—not wanting it to stop—

and Mars rising over the flower shop, up
through the telephone wires

“Against Endings” by Dorianne Laux from Facts About the Moon. © W. W. Norton. Reprinted with permission.

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Dorianne Laux, award-winning poet and author. “Poems keep us conscious of the importance of our individual lives . . . personal witness of a singular life, seen cleanly and with the concomitant well-chosen particulars, is one of the most powerful ways to do this.” Speaking of the qualities she admires most in poetry, Laux added, “Craft is important, a skill to be learned, but it’s not the beginning and end of the story. I want the muddled middle to be filled with the gristle of the living.”

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